A look inside Adobe Premiere Pro's redesigned color workflow and the future of video editing.
Adobe's Jason Druss joins No Film School’s Jourdan Aldridge to discuss the philosophy behind Premiere Pro’s new Color Mode system. The conversation covers film emulation, AI-assisted masking, cinematic grading techniques, Frame.io integration, and Adobe’s efforts to build powerful color tools specifically for video editors.
Jason also shares his journey from filmmaker and NFL Films colorist to helping shape the future of Adobe’s creative products.
How the next generation of filmmakers is finding inspiration through internet culture and independent storytelling.
Blackmagic Design showcases the latest AI features, immersive workflows, and post-production innovations in DaVinci Resolve 21.
Young broadcasters share lessons learned from producing live sports coverage and commentary.
Exploring the intersection of immersive storytelling, virtual reality, and AI-powered filmmaking.
No matter how many places Troy travels to, his work stays true to the ideas that originally brought him to Hollywood: making films, not videos. He has stayed true to his artistic vision, even though the blueprint was simply a wing and a prayer.
How "I Saw The TV Glow" uses media to portray queerness and the loss of identity.
Hopes and predictions for "Spider-Man: Brand New Day"
“It's not what a movie is about, it's how it is about it.” - Roger Ebert
