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In the aftermath of the WGA and SAG-AFTRA strikes, headlines largely asked whether AI might replace writers. But the more immediate, and overlooked, impact lies elsewhere: AI is rapidly eliminating the entry-level roles that once allowed aspiring screenwriters to get their foot in the door.
Jobs like Writers’ Assistants and Script Interns have historically served as crucial stepping stones for those trying to break into the industry. These roles offered not only exposure to the professional writing process, but also mentorship, networking, and a tacit curriculum in how a writers’ room actually functions. Yet today, many of these tasks, note-taking, script formatting, research, even brainstorming, are being outsourced to generative AI tools or streamlined through automation.
Embed from Getty ImagesAs Variety reported during the WGA strike, many studio executives view AI as a tool to “optimize” early-stage workflows—ironically reducing the number of humans who might one day become full-fledged writers themselves.
Studios and production companies, under pressure to cut costs, are adopting AI not to replace high-profile creatives, but to quietly dissolve the ladder beneath them. Why pay an assistant when an AI model can summarize a meeting, or generate alt-dialogue options instantly?
This shift has profound implications. Without accessible, human-centered entry points, the industry risks becoming a closed ecosystem where only the already-connected survive. The traditional “work your way up” pipeline is being severed—not at the top, but at its base.
This hollowing out of entry-level roles also raises urgent questions about diversity and inclusion. Writers’ rooms have historically benefited from a mix of voices, often brought in through assistant and internship pathway. With AI increasingly taking over those early opportunities, we risk narrowing the range of perspectives in storytelling. A machine can mimic style, but it cannot replicate lived experience. If the only people who get to write are those with access or privilege, we may end up with stories that sound polished but feel hollow. In an era where audiences crave authenticity, cutting off these creative entry points could backfire, not just ethically, but commercially.
Film and television programs at universities continue to emphasize collaboration, mentorship, and real-world exposure as essential parts of a screenwriter’s training. But as AI gradually replaces entry-level positions, this education-to-industry bridge is being disrupted. Students may leave school with strong storytelling instincts, technical skills, and passion, but increasingly, there are fewer places for them to apply those strengths. The disconnect between academic preparation and actual job access is growing, leaving many graduates uncertain about how, or whether, they can meaningfully begin their careers.
For film students and early-career creatives, the message is clear: the entry points are shifting, and with them, the strategies for breaking in must adapt. This article aims to spotlight this early-stage disruption—not to provoke alarm, but to clarify a critical, underreported transformation in the creative workforce.
Aspiring writers aren't just competing with AI, they’re competing for the right to begin. And that’s a conversation the industry can’t afford to ignore.