"Ovary-Acting" by Ida Melum Premieres at HollyShorts

Key Takeaways

Blending Techniques: Ida Melum creatively combined traditional stop-motion with live-action puppeteering, pushing the boundaries of animation and storytelling.
Personal and Political: The film delves into personal choices and societal expectations, reflecting on women's reproductive rights amidst changing political climates.
Independent Spirit: Melum emphasizes the strength of independent filmmaking, highlighting how budget constraints foster creativity and problem-solving.

At the heart of Ovary-Acting, filmmaker Ida Melum explores the societal and personal pressures surrounding motherhood in a unique comedic narrative.

With a talented team including writer Laura Jayne Tunbridge, producers Kjersti Greger, Michelle Brøndum, and Johan Edström, the film brings together a dynamic cast featuring Synnøve Karlsen and Sofia Oxenham.

Supported by a robust crew, including production designer Svein Erik Okstad and director of photography Jøran Wærdahl, this innovative film will be showcased at this year's HollyShorts Film Festival.

On the film's inception and urgency

What drew you to make this film? Why this story, and why now?

There were so many reasons I wanted to make Ovary-Acting. The idea came during a family event in my late twenties, where I was asked about my plans for children. This resonated with many friends who were also navigating this question. Additionally, with the political climate threatening women's reproductive rights, the film became even more urgent.

Creative surprises in filmmaking

What surprised you most about the filmmaking process this time?

We blended traditional stop-motion with live-action puppeteering. It was nerve-wracking as we weren't sure of the final result, but it worked beautifully. The VFX team did an incredible job, making the transition seamless.

A distinct and personal touch

Is there a moment in the film that feels the most you?

I’d say the musical number between a woman and her reproductive organ feels very much like me, haha. It allowed for a mix of humor and drama, bringing a unique flair to the conversation.

"A musical number between a woman and her reproductive organ is something that feels very much like me."

Facing creative challenges

What was the hardest creative decision you made while making this film?

Designing Ovy was challenging, from the materials to her scale. Luckily, with our production designer Svein Erik Okstad and animator Rich Farris, we brought her to life as the bold character the story needed.

Audience takeaway and future stories

What do you hope audiences take away from your film?

I hope audiences resonate with the story and feel the love and dedication from our team. I also hope to make them laugh and giggle!

How has this film shaped the kind of stories you want to tell next?

This is my most political and daring film so far. It was a significant creative step and, though stressful at times, incredibly rewarding.

"Famously, short films never have enough money. But I actually think that lack of funding is one of independent filmmaking’s greatest strengths."

Independent filmmaking insights

What do you think is the greatest strength of independent filmmaking?

The lack of funding and hierarchy forces you to think creatively and find solutions without relying on money. It’s one of the greatest strengths of independent filmmaking.

HollyShorts and beyond

What does it mean to you to have your film selected for HollyShorts?

Being selected for HollyShorts is incredibly rewarding. It’s an honor to be part of a festival that champions bold storytelling.

Where do you see this film going next?

There’s a bigger story here, and we’ve joked about sequels. For now, we’re focusing on a good festival run. Since June, we’ve been selected for 25 festivals, and I’m thrilled to see it resonating worldwide.