Table of Contents
Key Takeaways
- Social Media's Dark Mirror: Jordan Murphy Doidge draws inspiration from the damaging impact of social media on youth, weaving a modern fable inspired by "The Boy Who Cried Wolf."
- Unexpected Opportunities: A chance encounter at Gatwick Airport led to securing a key stunt for the film, highlighting the serendipitous nature of filmmaking.
- Collaborative Spirit: The film's success is credited to the collective efforts of a talented team, emphasizing the power of collaboration in independent filmmaking.
Emerging from Cornwall, UK, director Jordan Murphy Doidge is making waves with his debut short film, Clout, set to premiere at this year's HollyShorts Film Festival. The film, a psychological drama, explores the influence of social media on today's youth, driven by a deeply personal mission.
The talented cast includes Archie Yates, Samuel Leakey, Nadine Marshall, Anna Wilson-Jones, and Kit Price, among others. With a strong crew featuring Producer Francis Chapman, Executive Producer Kim Magnusson, and DOP Amelia Hazlerigg, Clout promises to leave an indelible mark on audiences.

Q&A Interview
What drew you to make this film?
The origins of Clout emerged after I became hyper-aware of the damaging impact social media is having on today’s youth, especially my younger siblings. As the eldest in a large family, I witnessed first-hand how social media took hold during lockdown. I was drawn to "The Boy Who Cried Wolf"—it struck me as a powerful metaphor for the dark nature of social media.


What surprised you most about the filmmaking process this time?
This shoot was particularly difficult to get off the ground, given the narrative. Convincing some of the world's most prestigious schools to base our story was no short feat. After rallying alumni, we managed to shoot at Harrow School. Casting Archie Yates was incredible luck; Georgia Topley, our CD, had cast him in "Jojo Rabbit," and he was attached 24 hours later.
“Cinema is a powerful platform for social commentary—a kind of mini Trojan horse.”

Is there a moment in the film that feels the most you?
I simply wanted to capture a feeling—an emotion that might leave an audience reflecting on their own lives. Cinema is a powerful platform for social commentary. If there’s any credit I can take from this journey, it’s bringing together an incredible team to produce something we can all be proud of.
“At the core of all my work is a desire to spark meaningful conversation.”

What was the hardest creative decision you made?
Cutting the opening scene was tough. We had secured Harrow School’s gorgeous Chapel, but it didn’t work in the edit. The pacing was off, and it didn’t service the story. So, after a lot of back and forth with our incredible editor Rebecca Lloyd, we decided to cut it.

What do you hope audiences take away from your film?
We set out to make a film that would spark meaningful dialogue with the very people who need it most—young people. This issue doesn’t exist in a vacuum—it’s a global problem. Unless we act soon, we risk losing something precious: the magic of childhood.
“Working under tight budgets and schedules often forces you into corners that can only be navigated through creative thinking.”


What does it mean to you to have your film selected for HollyShorts?
It’s such an incredible opportunity to screen our film alongside so many talented and passionate filmmakers and film lovers. It’s a true pleasure, something I’m extremely grateful for.
“Independent filmmaking is about navigating creative thinking under pressure.”

Cast and Crew
- Rebecca Lloyd - Editor, BAFTA Breakthrough Brit.
- Collette Creary-Myers - Production Designer, BAFTA member.
- Natalie Caroline Wilkins - Costume Designer, London-based.
- Georgia Topley - Casting Director, independent London-based.
- Ines Adriana - Sound Designer, award-winning.
For more on Clout, visit their website.