Moulding Meaning in "Playing God"
The team behind the Oscar-shortlisted film share their process, experience on the festival circuit, and how stop-motion gets existential.
The team behind the Oscar-shortlisted film share their process, experience on the festival circuit, and how stop-motion gets existential.
The screenplay for Ryan Coogler’s "Sinners" doesn’t follow Hollywood’s typical three-act structure. So what does it do instead, and how can screenwriters learn from its success?
The Reel Champions rang in the new year with a launch party, here's what you missed if you couldn't make it!
Originality in the film industry is becoming more and more rare with every passing year.
Award-winning filmmaker Isabel Siragusa steps into psychological horror with 2x6, a tense short set inside a photo booth. Made during the CFA Quarterly Film Challenge, the film highlights how preparation, community collaboration, and adaptability can turn tight constraints into creative strength.
Kerry Frances reflects on returning to Knives Out, creative ambition, and storytelling with depth.
Check out this interview with Micah Cole Pittman, who stars as Noah in the new holiday rom-com released this past Christmas Eve.
A review/analysis of the new Anaconda (2025) movie - showing a new way of making a movie.
“The full-frame sensor gives you a larger image area, which translates into a more immersive field of view and shallower depth of field."
Interviewing John Kelly on his Oscar-shortlisted animated film.
"The final product flowed well and felt very coherent in a way that is very impressive for a film completely created in just 48 hours."
“The goal was to create a unified visual language where the new material felt authentically grounded in the ‘Back to the Future’ aesthetic."
“The goal is that students find their voice and are empowered to make the best choice for themselves after they graduate.”
Let's breakdown and predict who will be nominated for this year's award season starting with Luca Guadagnino's "After The Hunt".
TRC invites filmmakers to submit short films directed by women and non-binary creatives for its third annual celebration of bold, underrepresented voices.
"The key for me is to have a film that is comparable in look and quality to some of the top films on the market but not have to struggle financially to get the film off the ground."