Don't Change The Channel On "Buffet Infinity"
After a successful Fantasia premiere, the film tunes into Blood in the Snow 2025.
Coverage and insights from the world’s leading film festivals, including HollyShorts, Nòt Film Fest, FilmQuest, and TIFF. Explore interviews, reviews, and behind-the-scenes stories that spotlight filmmakers and their work on the international stage.
After a successful Fantasia premiere, the film tunes into Blood in the Snow 2025.
283 films that span all genres (and mediums) across five days, with industry too? Why yes indeed.
5 Days and over 150 films to watch. There's something for everyone, and filmmakers definitely are the focus when it comes to core of this festival.
After the Finnish Film Affair awards ceremony, I sat down with the filmmakers Olli Salmi and Samppa Batal to discuss their project "An Amateur", making meta-art in an absurd world, and what it means to pitch a project for the FFA's boldest showcase: Finnish Weird.
Haylee and Grace's last day in Santarcangelo di Romagna and the final day of Nòt Film Fest... WARNING: EMOTIONAL.
Bren Cukier’s "Last Resort" intertwines home videos and new footage to turn a family trip into a tender reflection on memory, grief, and the enduring bonds of family.
Jasmine De Silva’s “Beauty Sleep” transforms a pastel-pink funeral parlour into a darkly comic, retro-futuristic fairytale that explores beauty and identity, marking her bold narrative debut and proof of concept for her upcoming feature.
Berkeley neuroscience grad Abby Tozer turns classical music angst into "Muse"—a surreal, noir short celebrating creativity, chaos, and indie spirit.
Megan Elizabeth Barker’s debut short, "His Forbidden Sword", flips romance tropes to celebrate empowered women and bold independent filmmaking.
Filmmaker Nicole Dizon’s "Ruya" bridges dream and reality, honoring Filipino heritage through surreal storytelling and creative resilience.
Kamaria Williams’s "Haunted" turns intergenerational trauma into psychological horror, exploring identity, grief, and the power of the unseen.
In "Fix the Faucet", Jennifer Gouchoe turns personal mess into art, blending dark comedy, self-discovery, and indie filmmaking grit.
Daniela Kafshi’s "Ladybug" defies expectations, blending irony and empathy to confront America’s gun violence with raw emotion and hope.
Wylie Anderson’s "How to Cry on Command" explores online identity, childhood, and the dark side of digital culture in a dystopian school setting.
British filmmaker Angelica Gayle’s debut "Roach" transforms personal trauma and creative limits into a bold, visually rich horror short.
Georgia Evensen’s "Proscenium" captures the emotional language of movement, exploring female connection and creative expression through dance and film.