Examining Ethics in Biopics
"Deliver Me From Nowhere" provides a close-up look at just one chapter of Bruce Springsteen's story, creating what Springsteen himself calls an "anti-biopic".
"Deliver Me From Nowhere" provides a close-up look at just one chapter of Bruce Springsteen's story, creating what Springsteen himself calls an "anti-biopic".
How Understanding the Mind Shapes Audience Engagement
How feminist cinema isn’t just reshaping how we see women—it’s revealing the hidden emotional pressures men carry, too.
University of North Georgia launches a new Micro-Budget Narrative Feature Lab initiative for emerging filmamkers in the Georgia region.
How Have the Protagonists we Admire Changed in the Past Thirty Years?
What is the power of a true story, and how do we responsibly wield it?
How an intentional focus on color and light brought "La La Land" to life and paid homage to the magic of the technicolor era.
"Nosferatu" is often perceived as a horror film, and vampires as villains. So, why is it that many people interpret Nosferatu as a romance between Ellen and Count Orlok? Is the romance in the 2024 adaptation perverse, or is it a repressed woman experiencing freedom?
For almost a century, an Academy Award was the single greatest accolade a film could receive, revered by film enthusiasts and filmmakers alike. With changes in the film industry causing major shifts in the impact of these awards... is the effort worth the payoff?
A review of the third film in Benoit Blanc's murder-solving spree, following its premiere at TIFF.
A review of Yeon Sang-ho’s newest film "The Ugly," following its premiere at TIFF50.
Claire Denis expressed an uncertainty that her latest film, 'The Fence,' is well-done. Though this wavering uncertainty may show, 'The Fence' pulls together its themes of post-colonial racial tensions, utilizing its origins in theatre to create a claustrophobic, bleak atmosphere.
Planning on staying in this weekend or looking for a film to examine as a cinephile? Check out "The Bad Shepherd".
Unpacking how comedy, drama, and ethics coincide in two of television's most innovative depiction of what it means to change as a person.
Fifteen years later, Tim Burton’s Alice in Wonderland still divides audiences—but its feminist heroine, maximalist visuals, and influence on dark fairytales suggest it may have been less a failure and more a blueprint for today’s cinematic landscape.
The recent hit horror film Weapons ends up turning to a predictabilty and misogyny instead of being inventive.