Hunter Wayne’s “Buddha Was A Rich Boy” Breaks All the Rules
Hunter Wayne’s “Buddha Was A Rich Boy” storms into FilmQuest with anarchic energy, analog magic, and DIY flair.
Hunter Wayne’s “Buddha Was A Rich Boy” storms into FilmQuest with anarchic energy, analog magic, and DIY flair.
On October 16, First Entertainment Credit Union invites the entertainment community to its Hollywood Branch for a celebration of International Credit Union Day — highlighting creativity, collaboration, and California’s booming production economy.
Discover the art of lenses with cinematographer Rachel Hastings at the Blackmagic Collective Lens Class on October 14. Free to attend in person or online—RSVP required.
How indie short filmmakers can monetize shorts—platform options, festival strategy, revenue models, and practical steps to get streaming and revenue.
Practical finance and business advice for filmmakers — LLCs, S corps, credit unions, mortgages, write-offs, bookkeeping, and tools.
At Nòt Film Fest, "Di Noi 4" offers an intimate look at millennial couples grappling with the fragile dream of starting a family in precarious times.
At this year’s Nòt Film Fest, Javier Cutrona’s debut feature "Alucina (Fishgirl)" blurs the line between fantasy and reality in a poetic meditation on identity, loss, and memory. Rooted in personal inspiration, the film transforms creative constraints into an immersive, introspective experience.
At this year’s Nòt Film Fest, Nick Dugan’s Foxhole follows a meditative groundskeeper confronting the weight of his past in a quiet countryside inn.
At Nòt Film Fest, Jeroen Zeegers’ "Butterflyman" delivers an absurd yet tender portrait of introversion and suspicion through the eyes of a butterfly keeper.
At this year’s Nòt Film Fest, Matheus Malburg and Larissa Murai’s "We’re Still Here" turns real-life conversations into an intimate portrait of an ex-couple reunited at a party.
At this year’s Nòt Film Fest, Valentin Guiod’s Patience (Sabali) merges striking visuals, African music, and an ambitious six-hour one-take sequence to explore migration, resilience, and the power of immortal love.
At this year’s Nòt Film Fest, Helena Ganjalyan and Bartosz Szpak’s debut feature "Glorious Summer" presents a visually layered meditation on freedom, control, and rebellion. Shot entirely "day for night," the film embodies the fearless choices and creative freedom of independent cinema.
At this year’s HollyShorts, Madeline Down’s "Sense of Emergency" follows a paramedic facing PTSD, inspired by her mother’s real-life rescue, and honors the quiet sacrifices of first responders.
At this year’s HollyShorts, Sam Henderson’s ADO blends Much Ado About Nothing with a school shooting, honoring teachers’ courage in a deeply personal story of resilience and hope.
At this year’s HollyShorts Film Festival, Omer Ben Shachar’s "Houston, We Have a Crush" tells the absurdist yet heartfelt story of Ditto, a mostly non-verbal animatronic alien, navigating loneliness and connection against the striking backdrop of the desert.
A revealing conversation with filmmaker John Riva on his suspenseful short that confronts dark American history through the lens of genre storytelling.