Beneath the sweeping trees of an Italian vineyard, Nòt Film Fest Co-Founders Giovanni Labadessa and Alizé Latini join the League of Filmmakers for lunch to chat about the festival’s origins, identity, growth, and its beloved home in Santarcangelo, Italy.
Oscar-winning Director Edward Berger deals TIFF a bad hand.
A review of Guillermo Del Toro most recent, highly anticipated film following its premier at TIFF50.
Cal McMau's directorial debut takes TIFF behind bars, and gives its stars a place to shine.
The final article in Seth Freeman's three-part series on the skill of finding your story as a writer. In his final installment Seth explores what many aspiring writers are likely wondering: Can this skill be taught?
Bryan Fuller's feature debut is a bold genre piece that grabbed TIFF by the cottontail.
Fuze premiered on September 5th at TIFF50, but the results left much to be imagined.
Byun Sung-Hyun‘s newest stylish film “Good News” leaves a strong impression at its opening world premiere.
In part two of his three-part series, Seth Freeman gives insight into his night at the brothel and time with Cheryl and Debbie, shedding light on the way our unexpected stories can sometimes follow us for a lifetime.
Director Ben Wheatley returns to TIFF with this action-packed romp from Derek Kolstad and Bob Odenkirk.
Sometimes, writers find great stories in the unlikeliest of places; in this series Seth Freeman shares his process where finding stories is concerned. More specifically, how it once led him to a brothel for the better part of a night.
Planning on staying in this weekend or looking for a film to examine as a cinephile? Check out "The Bad Shepherd".
Unpacking how comedy, drama, and ethics coincide in two of television's most innovative depiction of what it means to change as a person.
Plenty of novels have been called "unfilmable." But as it turn out, some of them make pretty great movies.
From just one Top 10 global streaming title in 2018 to six by 2023, Korean webtoon adaptations have become a mainstream force. With platforms like Naver Webtoon and Kakao leveraging fan data to reduce risk, Netflix and small studios alike are tapping this booming $7.44B market for their next hit.
Hollywood’s reliance on sequels used to deliver blockbuster profits. Now? It fuels growing audience fatigue. As studios chase safe IP bets, the challenge will be making original stories feel just as irresistible.
